ANCA is run by the tenants through a well-structured board, a range of specialised committees and a paid administration.
The ANCA Board controls and manages the business affairs of ANCA. The Board is made up of:
Tenant members are nominated and voted in at the Annual General Meeting.
The officers of the Board include: Chair, Deputy Chair, Secretary and Treasurer. The members taking these roles are elected by the members of the Board at the first board meeting following the AGM.
Sean Davey is an independent photographer and artist. Sean’s photography is centred around a strong interest in documentary and observational practice. With a background in photojournalism and newspaper photography, Sean is an intent observer of daily life, and his work often incorporates a factual documentary approach with personal expression. Sean has self-published portfolios and books of his photographs and has been exhibited in many of Australia’s top galleries and artistic institutions. Sean’s photographs are held in the collection of the Museum of Australian Democracy, the National Library of Australia and the State Library of NSW. In 2011 Sean founded The Photography Room, a gallery dedicated to the promotion and exhibition of contemporary photography. Sean is regularly commissioned by media and art organisations, corporate clients, non-for-profits and government departments, as well as being a photographic teacher and mentor.Chair Role (pdf)
Oliver Ayrton has been an ANCA tenant since 2012. He is an emerging artist who is inspired by the great tradition of sculpture: figuration. He works primarily in clay, modelling detailed forms, then making a mould and casting into a durable material such as bronze, cement fondue or plaster. He graduated from the ANU School of Art in 2011 with Honours. In 2010, he was awarded an Artist in Residency at the ANU School of Art where he was able to develop his bronze casting skills. In 2008, he won a DEEWR scholarship to study at Chiang Mai University in Thailand, where he was able to under‐take three months of intensive life modelling training.Treasurer Role (pdf)
Amanda Stuart’s sculptural works produce objects that sit in the environment to incite psychic re-imaginings of old, unhealed wounds between humans and unwanted animals. Embedded in a materiality of the Australian regional landscape and its fauna, her works refer to the social, cultural, ethical and political difficulties surrounding contested estranged human/animal relations within contested landscapes. Her practice embraces drawing, installation, object making and in-situ photographic documentation. She has a PhD in Visual Arts and currently lectures in the Environment Studio and Foundation as well as being a Technical Officer in the Sculpture workshop, at the ANU School of Art.Secretary Role (pdf)
After completing her honours year at the ANU School of Art in 2012, Kate spent several years making art perched in other people’s homes: her parents garage, a desk in her bedroom and her wife’s garage. When she moved into her ANCA studio in 2015, she discovered the luxury of having an actual studio. Kate is very keen to see ANCA continue to be a functional, affordable and laid back studio complex.
Her art practice is centered around nature and landscape and has impressively held six solo exhibitions as a prolific emerging artist. Past projects have included following in the footsteps of explorer Charles Sturt through the arid outback, creating fauna illustrations and depicting the post-bushfire landscapes of the Blue Mountains.
Sara Freeman grew up in Melbourne, originally studying music at the VCA, then left the viola behind and traveled through most of her twenties, spending time living and painting in Europe, Japan and India before moving to the NSW Far South Coast in 1995. In 2006 she completed a BA with Honors in Print Media and Drawing at the ANU School of Art. Sara is represented by Anita Traverso Gallery in Melbourne and works part time as a paper conservator at the National Library. An ANCA tenant from 2006 – 2012, she now paints from a studio at home.ANCA Alumni Role (pdf)
Susan graduated from ANU with a Bachelor of Arts/Law in 1993. After ten years working as a Commonwealth government lawyer, in 2004 she opened her womenswear boutique Department of the Exterior in Manuka to bring the best of Australian and New Zealand independent fashion design to Canberra. With her husband, she collects non-objective art and contemporary jewellery, and established an in-house gallery, Spare Room 33, in 2013 as a venue for periodic exhibitions of works from their collection.General Member Role (pdf)
Ministerial appointee / Legal advisor
Bill has extensive experience in administrative law and has practiced in the ACT in both the public and private sectors. An Associate Member of ANCA since 2008, Bill has a keen interest in the arts both as a collector and patron and in advisory roles such as those held at ANCA and previously at Studio One, Megalo Print Studio and Muse. In his current capacity at ANCA, Bill draws on his experience as a practicing lawyer, providing sound advice on ANCA’s legal rights and obligations.
Neil is a FAILA registered Landscape Architect and founding partner at Harris Hobbs Landscapes. An alumni of the University of Canberra, Neil specialises in commercial and government sector projects ranging from preliminary design through to documentation and construction. Neil has participated in a number of allied organisations, including membership to the Governing Council of the Gallery of Australian Design. He is twice the Past National President of the Australian Institute of Landscape Architects, and has served as a member of the AILA National Council for nearly a decade.
Ministerial appointee / Financial advisor
Peter has been working as a chartered accountant since 1980. Peter has extensive knowledge of the inner workings of many Canberra arts organisations, having been the auditor to most (including ANCA since 1994) and from his advisory roles such as those held at ANCA and previously at Canberra Contemporary Art Space. In addition to his financial skills, Peter brings enthusiasm and attention to detail to his role on the Board, contributing to business planning, risk assessment and advising on ANCA’s budgets and finances.